CRITICAL
OBSERVATIONS
ZAN ZONE – THE ROCK IS STILL ROLLIN’ – INDEPENDENT
I must have had some sort of misspent childhood, because as soon as I saw this cover I thought of Sisyphus and his eternal punishment in Hades of pushing a rock up a hill only for it to roll back down every time he neared the top. Anyway, Zan Burnham (guitar, vocals), Marko Djordjevic (drums, vocals), Angela Watson (vocals), Philip Dessinger (vocals) and Saadi Zain (bass, vocals) plus new member Adrienne McKay (keyboards, vocals) are back with their latest release, which to my ears is their strongest yet.
As one may gather from the title this is a tribute to the first three decades of Rock ‘n’ Roll, although to my ears this is mostly rooted in the Seventies and is all the better for it. They actually kick it all off with an instrumental which has plenty of progressive tendencies, which is also the longest song here, and really sets the tone. One of the joys of this band is that they have multiple lead singers, with Phil and Angela both happy to front and provide support to the others, while Zan also takes a few lead roles himself. I thoroughly enjoyed the presence of Phil on this album and was planning to say what a huge impact he had, as he does, so it was something of a shock to read the press release and discover he passed away not long after this was recorded. He went out on a goodie, as this is an album which makes the listener smile from beginning to end whether the band are channelling Bo Diddley, Chuck Berry, Creedence, James Brown or any of the influences which have had such a major impact. This is an album which is designed for a party, where everyone playing it has a smile on their face, and “Rockin’ & Rollin’ on Down the Road” (which closes this album and appears to be a combination of a live recording and studio) is a blast with great performances from all. Every time I play this, I just keep turning it up as Chuck Berry is brought right up to date and everyone is jiving on the floor.
Zan Zone are a band I have long admired, and here they have definitely delivered their finest release to date as this is a blast and anyone who wants rock ‘n’ roll in its many forms need look no further. Losing Phil is undoubtedly a blow, but Zan Zone are still going strong and will be interesting to see what their future holds. 8/10 By Kev Rowland
This brilliantly affecting musical adventure kicks off with the triumphant instrumental rocker Born To Roll and the countrified rock of Have Some Fun Tonight and then we are given the languishing mid-tempo 70’s-hued cut Dog Days, the emotively-driven Double Life, the drum-led Hard To Get, before the laid back hipsway of Mama Was A Train Wreck is brought forth.
Along next is the pop-rocker fluidity of Ready To Say Goodbye and the folk-psych swirls and twirls of Friends and they are in turn backed seamlessly by the lushly sculpted balladry of She Left Me (The Love I Had), the effortlessly flourishing, harmonica-imbibed That Flame, the set rounding out on the elegant dance-floor, instrumental ambiance of Happy Go Lucky, closing on the countrified indie rocker Rockin’ n’ Rollin’ On Down The Road.
By Anne Carlini 2/2026. https://annecarlini.com/ex_cd.php?id=6644
ZAN ZONE –
The Rock Is Still Rollin’
East Coast dwellers spread happiness and sorrow all around the world to celebrate the past by boosting it to the present tense.
The image of Sisyphus pushing a boulder up a hill can hardly be synonymous with a musical genre it implies, because futility and effort didn’t informed any part of the things Chuck Berry or Little Richard used to do, yet if the picture suggests eternity, that’s exactly what these Brooklynites aim at on the album which emerges soon after their ensemble’s three-decade anniversary. The passage of time and emotional baggage accompanying temporal shifts play a pivotal role here, on the record steeped in merriment and drama in equal measure, where each histrionic snippet of vocal is perfectly counterbalanced with total instrumental abandon, as befits an array of songs rooted in the period when feelings were worn on a fringed sleeve and everything seemed much simpler. At least, such a concept should lure the listener into “The Rock Is Still Rollin'” before taking the audience on a rather adventurous trip.
The platter’s outset may sound a tad confusing, however, as proper good-time grooves don’t make their way to the fore until the second track, the tellingly titled “Have Some Fun Tonight,” delivers the goods right away by laying down a twangy rumble – but, preceding it, “Born To Roll” almost blows the punters’ expectations to pieces by offering, after a splash of chamber-boogie piano, a serious slice of prog rock. And why not if Zan Burnham’s guitars pile on tasty harmonies and catchy riffs which never veer too far from the band’s original intent to go wild and have a field day with their chosen genre’s essentials while many other art-minded performers break that lifeline very easily. When one of this epic’s six chapters distills the flow to acoustic strum and organ to prepare the ground for an electric six-string attack, strains of pure rapture start to reign supreme, revealing the album’s primal drive no arresting solemnity can disguise and explaining the absence of voices on the glorious eight-minute ride deserving of a separate context.
Surprises don’t end here, because the airily robust “Dog Days” draws on spiritual country only to ignite Burnham’s fingerwork, “Double Life” marries heavy figures and stunning fretboard to burnished singalong, and “Friends” unexpectedly opts for middle-of-the-road, orchestral balladry. Still, once lyrics begin to bounce between Philip Dessinger – who, sadly, died close to the record’s release – and Angela Watson, different kinds of delight fill the ether via a series of foot-stomping numbers, including the infectiously shuffling, slider-oiled “Mama Was A Train Wreck” borrowed from fellow New Yorker Karen Hudson’s repertoire, and “Hard To Get” which brings sax into a solid jive that Marko Djordjevic’s drums propel beyond the Bo Diddley beat’s animalism. And though “Ready To Say Goodbye” reaches for a quasi-sleazy vibe, and “She Left Me (The Love I Had)” serenades the past in the most charming chamber, albeit cynical, manner, the harmonica-helped “That Flame” leaves innuendos behind in favor of trad Americana, and “Happy Go Lucky” relies on lounge jazz to soothe the nerves.
This calm will be derailed for the ensemble to deliver a concert romp through “Rockin’ n’ Rollin’ On Down The Road” which serves up a memorable finale, and that’s a great place to wrap up the unevenly riveting record: that’s the gist of creative continuity and the warranty of longevity in the genre many dabble with yet precious few dig. ****1/2 Stars. By - Dmitry M. Epstein
From: The Sea of Tranquility.org
Zan Zone: The Rock Is Still Rollin’
Brooklyn native Zan Burnham honed his guitar chops in the New York City music scene playing live in joints like CBGBs and The Bitter End. Which reminds me, on a visit to NYC three years ago on a night on the town we ended the night at The Bitter End. A great night it was. Now, back to Zan Zone. The band has just released their sixth effort titled The Rock Is Still Rollin’.
This is an excellent rock album with its roots buried deep in the ‘70s, ‘60s, and ‘50s starting with the adventurous “Born To Roll”, an instrumental beginning with a wonderful piano melody and when the rest of the band kick in the mood is joyous and fun. From there the band ventures forth into edgier territory, verging on progressive rock, with the emphasis on ‘rock’. The organ is particularly effective. Next is the up-tempo, old timey rock and roll of “Have Some Fun Tonight”, and as the title suggests this is a super fun listen with its Chuck Berry-like guitar and CCR vibes. On “Dog Days” the band opt for a country rock sound with fine lead vocals courtesy of Angela Watson. There are six band members and all of them add vocals, which has always been a high point for me. “Double Life” includes some off kilter guitar riffs, a killer lead vocal and a ripping organ solo to flesh out the sound. Another fun retro rocker is the catchy “Hard To Get” with its sing along chorus and wonderful saxophone solos. The bluesy southern rock charm of “Mama Was A Train Wreck” and the smoothed out mid-tempo rock of “Ready To Say Goodbye” are more great tunes. Chalk full of catchy melodies, excellent vocals, and fine musicianship, The Rock Is Still Rollin’ is another winning platter from Zan Zone. This isn’t flashy or heady, it’s just plain feel good music for people who remember why the ‘60s and ‘70s were so great. Thank you Zan Zone for keeping the music alive. Highly recommended!
By Jon Neudorf
https://www.seaoftranquility.org/reviews.php?op=showcontent&id=25520
Yesterday, I listened to Zan Zone and picked a pair of favorites:
Dog Days - very Jefferson Airplane-like and wrote this one down as a possible contender for my year-end Fabulous 100 Songs of 2026 article
Double Life - rock opera/Foreigner/Meat Loaf - an interesting combination that sounds like my family favorites.
Warren Kurtz - Editor - Goldmine Record Collector Magazine
Written by Robert Silverstein
March 5, 2026 - 11:28pm UTC
Brooklyn’s best Rock ‘n’ Roll band, Zan Zone returns in triumph on their finest album yet. The 2026 release of The Rock Is Still Rollin’ takes their sound to new heights. With 12 tracks, clocking in at 55 minutes, this album has it all: a 9-minute instrumental prog-fusion opus, straight-ahead guitar-centric rockers, moving ballads, Phil Ochs inspired deep-thought songs, a jazzy NYC style instrumental—all filled with top musicianship.
New to Zan Zone, from New Zealand, Adrienne McKay adds in her keyboard variety. The lead vocals by Angela Watson are guided by great songwriting and musicianship from Phillip Dessinger and Zan Zone guitar hero Zan Burnham. The rhythm section of bassist Saadi Zain and drummer Marko Djordjevic remains Zan Zone’s driving wheel.
Expert production by Zan and Chris Benham, with top-notch engineering credited to Benham & Burnham, gives the album a remarkable rock sheen. These new songs by Zan, along with a pair of Dessinger-Burnham classics, are among the finest representations of the band’s melodic and lyrical genius yet.
The Rock Is Still Rollin’ comes at the crossroads after the last three Zan Zone albums, and in fact the only thing off here was the tragic passing of Phil Dessinger on September 1st, 2025, just after the album sessions concluded.
Even though Zan claims the album is the band’s self-styled tribute to the first 3 decades of Rock ‘n’ Roll history, the fact is that The Rock Is Still Rollin’ is just a remarkable collection of classic, progressive and rootsy American rock and roll that deserves much acclaim by today’s discerning music audiences.